EditorialThe photographer Justin J Wee in a series of self-portraits, seeking to evoke “a sad clown,” caught under the lights at closing time, in Brooklyn, Aug. 17, 2022. (Justin J Wee/The New York Times)
EditorialA strawberry mascarpone croissant at Bachour, whose French-style pastries often feature tropical fruits that evoke chef Antonio Bachour’s native Puerto Rico, in Miami, Dec. 29, 2021. (James Jackman/The New York Times)
EditorialA strawberry mascarpone croissant at Bachour, whose French-style pastries often feature tropical fruits that evoke chef Antonio Bachour’s native Puerto Rico, in Miami, Dec. 29, 2021. (James Jackman/The New York Times)
EditorialThe Inside Out festival continues this October with a series of outdoor art, sculpture and illuminated installations to surprise and delight visitors on the streets of Westminster this autumn.
EditorialPaul Huntley tried a wig on Sutton Foster in New York on March 19, 2002, for her role in “Thoroughly Modern Millie,” for which he sought to evoke New York City in 1922 with bangs, spit curls and finger waves. Paul Huntley, the hair stylist and wig designer who gave Carol Channing her expansive bouffant in “Hello, Dolly!,” Alan Cumming his plastered curl in “Cabaret” and Sutton Foster her golden bob in “Anything Goes,” died on Friday, July 13, 2021 in London. He was 88. His death was confirmed by a friend, Liz Carboni, who said he had been hospitalized for a lung infection. (Sara Krulwich/The New York Times)