EditorialThe television showrunners Soo Hugh (“Pachinko”) and Damon Lindelof (“Lost,” “Mrs. Davis”) discuss learning from their staffs, wanting to hear “no” and navigating the writers’ strike. (Tonje Thilesen/The New York Times)
EditorialThe television showrunners Soo Hugh (“Pachinko”) and Damon Lindelof (“Lost,” “Mrs. Davis”) discuss learning from their staffs, wanting to hear “no” and navigating the writers’ strike. (Tonje Thilesen/The New York Times)
EditorialThe television showrunners Soo Hugh (“Pachinko”) and Damon Lindelof (“Lost,” “Mrs. Davis”) discuss learning from their staffs, wanting to hear “no” and navigating the writers’ strike. (Tonje Thilesen/The New York Times)
EditorialThe television showrunners Soo Hugh (“Pachinko”) and Damon Lindelof (“Lost,” “Mrs. Davis”) discuss learning from their staffs, wanting to hear “no” and navigating the writers’ strike. (Tonje Thilesen/The New York Times)
EditorialThe television showrunners Soo Hugh (“Pachinko”) and Damon Lindelof (“Lost,” “Mrs. Davis”) discuss learning from their staffs, wanting to hear “no” and navigating the writers’ strike. (Tonje Thilesen/The New York Times)
EditorialThe television showrunners Soo Hugh (“Pachinko”) and Damon Lindelof (“Lost,” “Mrs. Davis”) discuss learning from their staffs, wanting to hear “no” and navigating the writers’ strike. (Tonje Thilesen/The New York Times)
EditorialThe television showrunners Soo Hugh (“Pachinko”) and Damon Lindelof (“Lost,” “Mrs. Davis”) discuss learning from their staffs, wanting to hear “no” and navigating the writers’ strike. (Tonje Thilesen/The New York Times)
EditorialThe television showrunners Soo Hugh (“Pachinko”) and Damon Lindelof (“Lost,” “Mrs. Davis”) discuss learning from their staffs, wanting to hear “no” and navigating the writers’ strike. (Tonje Thilesen/The New York Times)
EditorialThe television showrunners Soo Hugh (“Pachinko”) and Damon Lindelof (“Lost,” “Mrs. Davis”) discuss learning from their staffs, wanting to hear “no” and navigating the writers’ strike. (Tonje Thilesen/The New York Times)
EditorialThe television showrunners Soo Hugh (“Pachinko”) and Damon Lindelof (“Lost,” “Mrs. Davis”) discuss learning from their staffs, wanting to hear “no” and navigating the writers’ strike. (Tonje Thilesen/The New York Times)
EditorialThe television showrunners Soo Hugh (“Pachinko”) and Damon Lindelof (“Lost,” “Mrs. Davis”) discuss learning from their staffs, wanting to hear “no” and navigating the writers’ strike. (Tonje Thilesen/The New York Times)
EditorialA two-jointed robot arm that uses external cameras, a deep learning algorithm and a probability model to recognize itself in the world, at Columbia University’s Creative Machines Lab in New York on Jan. 4, 2023. (Karsten Moran/The New York Times)
EditorialPaul Rizzo with his wife Tiffany and their sons Chase and Ryder outside of their home in Kenner, La., Nov. 28, 2022. (Emily Kask/The New York Times)
EditorialFrom delivery robots to addressing the digital divide, adaptations in education have been inspired by new knowledge about learning and student needs. (Monika Aichele/The New York Times)
EditorialMoishy Klein, who recently left the Hasidic Jewish community after realizing it had not taught him basic grammar, let alone the skills needed to find a decent job, in Brooklyn, Aug. 25, 2022. (Jonah Markowitz/The New York Times)
EditorialA new portrait of The Duke and Duchess of Cambridge, painted by award-winning British portrait artist Jamie Coreth, has been released today. The artwork, which is the first official joint portrait of The Duke and Duchess, was commissioned in 2021 by the
EditorialLane Martin holds a photo of his Uncle, Capt. Edward Walker Jr., who was killed in action in World War II, in Lebanon, Tenn., May 7, 2022. (William DeShazer/The New York Times)
EditorialA detail of “The Revolution Is a School,” which encourages interactive learning through video, installation and a workshop series, at MoMA PS1, in Queens, April 5, 2022. (Camilo Fuentealba/The New York Times)
EditorialSupporters of the Amazon Labor Union after learning of its victory at a Staten Island warehouse, April 1, 2022. (DeSean McClinton-Holland/The New York Times)
EditorialAmy Wu, who leads the venture arm of the cryptocurrency exchange FTX and often collaborates with anonymous investors, in Denver, Feb. 18, 2022. (James Stukenberg/The New York Times)