EditorialSome conspiracy theorists believe that another art installation in the airport’s C concourse represents the ruins of a post-apocalyptic city. (Benjamin Rasmussen/The New York Times)
EditorialSome conspiracy theorists believe that another art installation in the airport’s C concourse represents the ruins of a post-apocalyptic city. (Benjamin Rasmussen/The New York Times)
EditorialJohn Douglas Thompson, left, and Bill Irwin in Samuel Beckett’s “Endgame,” at the Irish Repertory Theater in New York, Dec. 25, 2022. (Sara Krulwich/The New York Times)
EditorialRevolution, Fighting on the Barricades, Apocalyptic Landscape, Ludwig Meidner, 1912-1913, Berlin Neue Nationalgalerie, Berlin, Germany, Europe
EditorialKari Lake, the Republican candidate for Senate in Arizona, speaks during CPAC 2022 in Dallas, Texas on Aug. 6, 2022. (Emil Lippe/The New York Times)
EditorialScreens relaying feeds of live footage of the opening ceremony in the media hub of of the COP26 summit on Monday, Nov. 1, 2021 at the Scottish Exhibition Center in Glasgow, Scotland. (Kieran Dodds/The New York Times)
EditorialPresident Donald Trump speaks from the South Lawn of the White House during the Republican National Convention, in Washington, Aug. 27, 2020. (Doug Mills/The New York Times)
EditorialPeople stand in long lines outside Elmhurst Hospital Centerin Queens to be tested for the coronavirus on March 25, 2020. (Dave Sanders/The New York Times)
EditorialRussian Orthodox priests conduct a service during a live broadcast in the empty Church of St. Tatiana in Moscow, on Friday, April 17, 2020. (Sergey Ponomarev/The New York Times)