EditorialPainting ascribed to Gerard Seghers (1591-1651). Flemish baroque painter. The Taking of Christ. San Fernando Royal Academy of Fine Arts. Madrid. Spain.
EditorialChrist and Nicodemus: A Night Piece. Peeter de Jode the younger (Flemish, 1606-1674); after Gerard Seghers (Flemish, 1591-1651). Date: 1626-1674. Dimensions: 248 x 317 mm (image); 386 x 326 mm (plate); 327 x 426 mm (sheet). Engraving on ivory laid pape...
EditorialThe Flight into Egypt: Altered from Seghers. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1647-1657. Dimensions: 213 x 285 mm (image/sheet, cut within plate mark). Etching, burin, and drypoint on ivory laid paper. Origin: Holland.
EditorialChrist and Nicodemus: A Night Piece. Peeter de Jode the younger (Flemish, 1606-1674); after Gerard Seghers (Flemish, 1591-1651). Date: 1626-1674. Dimensions: 248 x 317 mm (image); 386 x 326 mm (plate); 327 x 426 mm (sheet). Engraving on ivory laid pape...
EditorialThe Flight into Egypt: Altered from Seghers. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1647-1657. Dimensions: 213 x 285 mm (image/sheet, cut within plate mark). Etching, burin, and drypoint on ivory laid paper. Origin: Holland.
EditorialSaint Cecilia Accompanied by Heavenly Musicians. Dimensions: sheet (trimmed within plate mark): 31.6 x 37.2 cm (12 7/16 x 14 5/8 in.). Medium: engraving.
EditorialThe Repentant Magdalen. Dated: c. 1627/1630. Dimensions: overall: 120.7 x 175 cm (47 1/2 x 68 7/8 in.) framed: 149.9 x 204.5 x 8.3 cm (59 x 80 1/2 x 3 1/4 in.). Medium: oil on canvas.
EditorialRuins of the Abbey of Rijnsburg: Small Version. Dimensions: sheet (trimmed within plate mark): 10 x 17.5 cm (3 15/16 x 6 7/8 in.). Medium: etching printed on linen (prepared with ground) and hand-colored with blue watercolor.
EditorialPainting ascribed to Gerard Seghers (1591-1651). Flemish baroque painter. The Taking of Christ. San Fernando Royal Academy of Fine Arts. Madrid. Spain.
EditorialPainting ascribed to Gerard Seghers (1591-1651). Flemish baroque painter. The Taking of Christ. San Fernando Royal Academy of Fine Arts. Madrid. Spain.
EditorialChrist and Nicodemus: A Night Piece. Peeter de Jode the younger (Flemish, 1606-1674); after Gerard Seghers (Flemish, 1591-1651). Date: 1626-1674. Dimensions: 248 x 317 mm (image); 386 x 326 mm (plate); 327 x 426 mm (sheet). Engraving on ivory laid pape...
EditorialAttributed to Gerard Seghers, Feast of the Gods in a Cave near the Sea Shore, The Gods meal in a cave at the seashore, painting, oil on canvas, Height, 169 cm (66.5 inches), Width, 218, cm (85.8 inches).
EditorialChrist and Nicodemus: A Night Piece. Peeter de Jode the younger (Flemish, 1606-1674); after Gerard Seghers (Flemish, 1591-1651). Date: 1626-1674. Dimensions: 248 x 317 mm (image); 386 x 326 mm (plate); 327 x 426 mm (sheet). Engraving on ivory laid pape...
EditorialPainting ascribed to Gerard Seghers (1591-1651). Flemish baroque painter. The Taking of Christ. San Fernando Royal Academy of Fine Arts. Madrid. Spain.
EditorialChrist and Nicodemus: A Night Piece. Peeter de Jode the younger (Flemish, 1606-1674); after Gerard Seghers (Flemish, 1591-1651). Date: 1626-1674. Dimensions: 248 x 317 mm (image); 386 x 326 mm (plate); 327 x 426 mm (sheet). Engraving on ivory laid pape...
EditorialAtribu?do a Gerard Seghers (1591-1651). Pintor barroco flamenco. Prendimiento de Cristo. ?leo sobre lienzo, 154 x 235 cm. Real Academia de Bellas Artes de San Fernando. Madrid. Espa?a.
EditorialEnclosed Valley, c. 1623-1630. Hercules Seghers (Dutch, 1589/90-c. 1638). Etching on cloth, hand colored with watercolor; platemark: 10.7 x 19 cm (4 3/16 x 7 1/2 in.).
EditorialThe Flight into Egypt: Altered from Seghers. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1647-1657. Dimensions: 213 x 285 mm (image/sheet, cut within plate mark). Etching, burin, and drypoint on ivory laid paper. Origin: Holland.
EditorialChrist and Nicodemus: A Night Piece. Peeter de Jode the younger (Flemish, 1606-1674); after Gerard Seghers (Flemish, 1591-1651). Date: 1626-1674. Dimensions: 248 x 317 mm (image); 386 x 326 mm (plate); 327 x 426 mm (sheet). Engraving on ivory laid pape...
EditorialRuins of the Abbey of Rijnsburg: Small Version. Dimensions: sheet (trimmed within plate mark): 10 x 17.5 cm (3 15/16 x 6 7/8 in.). Medium: etching printed on linen (prepared with ground) and hand-colored with blue watercolor.
EditorialSaint Cecilia Accompanied by Heavenly Musicians. Dimensions: sheet (trimmed within plate mark): 31.6 x 37.2 cm (12 7/16 x 14 5/8 in.). Medium: engraving.
EditorialRuins of the Abbey of Rijnsburg: Small Version. Dimensions: sheet (trimmed within plate mark): 10 x 17.5 cm (3 15/16 x 6 7/8 in.). Medium: etching printed on linen (prepared with ground) and hand-colored with blue watercolor.
EditorialSaint Cecilia Accompanied by Heavenly Musicians. Dimensions: sheet (trimmed within plate mark): 31.6 x 37.2 cm (12 7/16 x 14 5/8 in.). Medium: engraving.
EditorialThe Repentant Magdalen. Dated: c. 1627/1630. Dimensions: overall: 120.7 x 175 cm (47 1/2 x 68 7/8 in.) framed: 149.9 x 204.5 x 8.3 cm (59 x 80 1/2 x 3 1/4 in.). Medium: oil on canvas.
EditorialRuins of the Abbey of Rijnsburg: Small Version. Dimensions: sheet (trimmed within plate mark): 10 x 17.5 cm (3 15/16 x 6 7/8 in.). Medium: etching printed on linen (prepared with ground) and hand-colored with blue watercolor.
EditorialWide River Landscape, ca. 1648?49, Oil on canvas, 16 1/4 x 22 7/8 in. (41.3 x 58.1 cm), Paintings, Philips Koninck (Dutch, Amsterdam 1619?1688 Amsterdam), Koninck's panoramic pictures represent the culmination of an approach to landscape that is found ...