Editorialstamp (for cloth leads), Anonymous, 17th or 18th century, General: 5.7 x 35.4 x 15.5cm (57 x 354 x 155mm), Large iron pincers with two punches at the ends to punch double lead. One stamp surface (front) shows a turban in the middle with a simple floral...
Editorialstamp (for cloth leads), Anonymous, 17th or 18th century, General: 5.7 x 35.4 x 15.5cm (57 x 354 x 155mm), Large iron pincers with two punches at the ends to punch double lead. One stamp surface (front) shows a turban in the middle with a simple floral...
Editorialstamp (for cloth leads), Anonymous, 17th or 18th century, General: 5.7 x 35.4 x 15.5cm (57 x 354 x 155mm), Large iron pincers with two punches at the ends to punch double lead. One stamp surface (front) shows a turban in the middle with a simple floral...
Editorialstamp (for cloth leads), Anonymous, 17th or 18th century, General: 5.7 x 35.4 x 15.5cm (57 x 354 x 155mm), Large iron pincers with two punches at the ends to punch double lead. One stamp surface (front) shows a turban in the middle with a simple floral...
Editorialstamp (for cloth leads), Anonymous, 17th or 18th century, General: 5.7 x 35.4 x 15.5cm (57 x 354 x 155mm), Large iron pincers with two punches at the ends to punch double lead. One stamp surface (front) shows a turban in the middle with a simple floral...
EditorialDentist laughing as he uses pincers to pull a bad tooth from the mouth of an old woman. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) from Human Passions Delineated, John Haywood, Manchester, 1773.
EditorialDentist laughing as he uses pincers to pull a bad tooth from the mouth of an old woman. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) from Human Passions Delineated, John Haywood, Manchester, 1773.
EditorialLobster Claw with Pearl, Brass, glass pearl, In the shape of a lobster claw with small, glass pearl held between pincers. Curved lid on back end, hinged on top. Striker on bottom., late 19th century, containers, Decorative Arts, Matchsafe, Matchsafe.
EditorialDesigns for Two Cross Pendants, Pen and ink, brush and wash, graphite on paper, Two jewelry designs for cross pendants. At left a cross with hexagonal arms. On the interior of the cross, images of the instruments of the Passion: on top the crown of tho...
Editorialstamp (for cloth leads), Anonymous, 17th or 18th century, General: 5.7 x 35.4 x 15.5cm (57 x 354 x 155mm), Large iron pincers with two punches at the ends to punch double lead. One stamp surface (front) shows a turban in the middle with a simple floral...
Editorialstamp (for cloth leads), Anonymous, 17th or 18th century, General: 5.7 x 35.4 x 15.5cm (57 x 354 x 155mm), Large iron pincers with two punches at the ends to punch double lead. One stamp surface (front) shows a turban in the middle with a simple floral...
Editorialstamp (for cloth leads), Anonymous, 17th or 18th century, General: 5.7 x 35.4 x 15.5cm (57 x 354 x 155mm), Large iron pincers with two punches at the ends to punch double lead. One stamp surface (front) shows a turban in the middle with a simple floral...
Editorialstamp (for cloth leads), Anonymous, 17th or 18th century, General: 5.7 x 35.4 x 15.5cm (57 x 354 x 155mm), Large iron pincers with two punches at the ends to punch double lead. One stamp surface (front) shows a turban in the middle with a simple floral...
Editorialstamp (for cloth leads), Anonymous, 17th or 18th century, General: 5.7 x 35.4 x 15.5cm (57 x 354 x 155mm), Large iron pincers with two punches at the ends to punch double lead. One stamp surface (front) shows a turban in the middle with a simple floral...
EditorialThe Reconciliation of the Montagues and the Capulets, Frederic Leighton, 18301896, British, 1854, Watercolor with gouache over graphite on moderately thick, slightly textured, cream laid paper, Sheet: 15 9/16 x 20 3/4 inches (39.6 x 52.7 cm), architect...
EditorialRingfibula with poppy buds, the two ends bent outwards and each ending in a bud, the needle attached to the fibula by bending, so that the latter can be moved., Fibula, ring fibula, Hufeisenfibula, penannular brooch, metal, bronze , Diam 7 cm, H. 2.5 c...
EditorialDentist laughing as he uses pincers to pull a bad tooth from the mouth of an old woman. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) from Human Passions Delineated, John Haywood, Manchester, 1773.
EditorialMarginal bas-de-page detail showing a farrier at work in front of his forge, striking a horse shoe, held by pincers on an anvil, with a hammer. Book of Hours. England; circa 1320-1330. Source: Harley 6563, f.68v. Language: Latin.
EditorialButterfly collector tools, 19th century. Butterfly net, raquet nets, pincers, pins, etc. Handcoloured lithograph from Musee du Naturaliste dedie a la Jeunesse, Histoire des Papillons, Hippolyte and Polydor Pauquet, Paris, 1833.
EditorialModel of a Maintop, Model of a large march, rounded at the front, with two longitudinal and two transverse sinks below and pincers on top. The marching floor is closed and reinforced with snap-roosters, beamed around the soldier's hole. There is a smal...
EditorialTheatrical representation of the story of Dunstan who clamped the face of the devil in pincers from the forge, St. Dunstan, anonymous, Europe, c. 1900 - c. 1930, cardboard, paper, printing ink, collotype, h 85 mm ? w 170 mm.
EditorialSignet ring, Signet ring of copper. Round stamp with a horseshoe, hammer and pincers and initials. Dug up in Vierlingsbeek (?) In Limburg, Limburg, anonymous, c. 1000 - c. 1900, bronze (metal), engraving, l 2.7 cm ? w 2.3 cm ? t 1.7 cm.
EditorialDentist laughing as he uses pincers to pull a bad tooth from the mouth of an old woman. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) from Human Passions Delineated, John Haywood, Manchester, 1773.
EditorialMarginal bas-de-page detail showing a farrier at work in front of his forge, striking a horse shoe, held by pincers on an anvil, with a hammer. Book of Hours. England; circa 1320-1330. Source: Harley 6563, f.68v. Language: Latin.
EditorialDentist laughing as he uses pincers to pull a bad tooth from the mouth of an old woman. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) from Human Passions Delineated, John Haywood, Manchester, 1773.