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Editorial The Glass Heart Exhibition Preview at Two Temple Place, London
Editorial The Glass Heart Exhibition Preview at Two Temple Place, London
Editorial The Glass Heart Exhibition Preview at Two Temple Place, London
Editorial The Glass Heart Exhibition Preview at Two Temple Place, London
Editorial The Glass Heart Exhibition Preview at Two Temple Place, London
Editorial The Glass Heart Exhibition Preview at Two Temple Place, London
Editorial The Glass Heart Exhibition Preview at Two Temple Place, London
Editorial The Glass Heart Exhibition Preview at Two Temple Place, London
Editorial The Glass Heart Exhibition Preview at Two Temple Place, London
Editorial The Glass Heart Exhibition Preview at Two Temple Place, London
Editorial The Glass Heart Exhibition Preview at Two Temple Place, London
Editorial The Glass Heart Exhibition Preview at Two Temple Place, London
Editorial The Glass Heart Exhibition Preview at Two Temple Place, London
Editorial The Glass Heart Exhibition Preview at Two Temple Place, London
Editorial The Glass Heart Exhibition Preview at Two Temple Place, London
Editorial The Glass Heart Exhibition Preview at Two Temple Place, London
Editorial The Glass Heart Exhibition Preview at Two Temple Place, London
Editorial The Glass Heart Exhibition Preview at Two Temple Place, London
Editorial The Glass Heart Exhibition Preview at Two Temple Place, London
Editorial The Glass Heart Exhibition Preview at Two Temple Place, London
Editorial The Glass Heart Exhibition Preview at Two Temple Place, London
Editorial The Glass Heart Exhibition Preview at Two Temple Place, London
Editorial The Glass Heart Exhibition Preview at Two Temple Place, London
Editorial The Glass Heart Exhibition Preview at Two Temple Place, London
Editorial The Glass Heart Exhibition Preview at Two Temple Place, London
Editorial The Glass Heart Exhibition Preview at Two Temple Place, London
Editorial The Glass Heart Exhibition Preview at Two Temple Place, London
Editorial The Glass Heart Exhibition Preview at Two Temple Place, London
Editorial The Glass Heart Exhibition Preview at Two Temple Place, London
Editorial The Glass Heart Exhibition Preview at Two Temple Place, London
Editorial The Glass Heart Exhibition Preview at Two Temple Place, London
Editorial The Glass Heart Exhibition Preview at Two Temple Place, London
Editorial The Glass Heart Exhibition Preview at Two Temple Place, London
Editorial The Glass Heart Exhibition Preview at Two Temple Place, London
Editorial The Glass Heart Exhibition Preview at Two Temple Place, London
Editorial The Glass Heart Exhibition Preview at Two Temple Place, London
Editorial The Glass Heart Exhibition Preview at Two Temple Place, London
Editorial The Glass Heart Exhibition Preview at Two Temple Place, London
Editorial The Glass Heart Exhibition Preview at Two Temple Place, London
Editorial The Glass Heart Exhibition Preview at Two Temple Place, London
Editorial The Glass Heart Exhibition Preview at Two Temple Place, London
Editorial The Glass Heart Exhibition Preview at Two Temple Place, London
Editorial The Glass Heart Exhibition Preview at Two Temple Place, London
Editorial The Glass Heart Exhibition Preview at Two Temple Place, London
Editorial The Glass Heart Exhibition Preview at Two Temple Place, London
Editorial The Glass Heart Exhibition Preview at Two Temple Place, London
Editorial The Glass Heart Exhibition Preview at Two Temple Place, London
Editorial The Glass Heart Exhibition Preview at Two Temple Place, London
Editorial The Glass Heart Exhibition Preview at Two Temple Place, London
Editorial Perseus and Andromeda, study for The Doom Fulfilled. Sir Edward Burne-Jones; English, 1833-1898. Date: 1875. Dimensions: 330 ? 303 mm. Gouache with gold paint on board. Origin: England.
Editorial Pygmalion and the Image - The Soul Attains. Date/Period: 1878. Painting. Oil on canvas. Width: 766 mm. Height: 994 mm.
Editorial King David the Poet.
Editorial The Wizard. Date/Period: 1896/1898. Painting. Oil on canvas. Width: 555 mm. Height: 930 mm.
Editorial Pygmalion and the Image - The Hand Refrains. Date/Period: 1878. Painting. Oil on canvas. Width: 763 mm. Height: 987 mm.
Editorial The Tiburtine Sibyl. Date/Period: 1875. Pencil, black chalk and pastel, heightened with gold paint on paper. Width: 453 mm. Height: 1116 mm.
Editorial King Mark and La Belle Iseult. Date/Period: 1862. Painting. Watercolour, bodycolour and gum arabic on paper. Width: 557 mm. Height: 582 mm.
Editorial Cupid and Psyche, Edward Burne-Jones, 18331898, British, ca. 1870, Watercolor, gouache and pastel on moderately thick, moderately textured, wove paper mounted on linen, Sheet: 27 5/8 x 19 inches (70.2 x 48.3 cm) and Frame: 37 x 27 1/2 x 3 inches (94 x ...
Editorial The Flower Book, Scattered Starwort From The Flower Book, 1905 Sir Edward Burne-Jones, Book, Art Movement, Pre-Raphaelite, Flower, Angel, Printing, Collotype, Plant.
Editorial The Flower Book, Most Bitter Moonseed From The Flower Book, 1905 Sir Edward Burne-Jones, Book, Art Movement, Pre-Raphaelite, Flower, Angel, Printing, Collotype, Plant.
Editorial Sketchbook of Byzantine and Romanesque Decoration, 1887-1894 Two studies of warhorses Sir Edward Burne-Jones, 110 sketches of Mediaeval and Byzantine decoration made in connection with studies for the 'Holy Grail' tapestries for Morris & Co., Art Movem...
Editorial Sketchbook of Byzantine and Romanesque Decoration, 1887-1894 Studies of horses and saddles Sir Edward Burne-Jones, 110 sketches of Mediaeval and Byzantine decoration made in connection with studies for the 'Holy Grail' tapestries for Morris & Co., Art ...
Editorial The Flower Book, Saturn's Loathing From The Flower Book, 1905 Sir Edward Burne-Jones, Book, Art Movement, Pre-Raphaelite, Mountain, Flower, Animal, Horse, Knight, Field, Printing, Collotype.
Editorial Sketchbook of Byzantine and Romanesque Decoration, 1887-1894 Study of a horseman and horses' hoofs Sir Edward Burne-Jones, 110 sketches of Mediaeval and Byzantine decoration made in connection with studies for the 'Holy Grail' tapestries for Morris & C...
Editorial Sketchbook of Byzantine and Romanesque Decoration, 1887-1894 Studies of horses and horsemen Sir Edward Burne-Jones, 110 sketches of Mediaeval and Byzantine decoration made in connection with studies for the 'Holy Grail' tapestries for Morris & Co., Art...
Editorial King Sigurd the Crusader - A Norse Saga. Date/Period: 1862. Wood engraving, printed in black. Width: 125 mm. Height: 161 mm.
Editorial Lady Frances Balfour.
Editorial Ariadne. Date/Period: 1862 - 1872. Unknown. Watercolour and gouache with opaque white, heightened with gum arabic on wove paper watercolour and gouache with opaque white, heightened with gum arabic on wove paper. Height: 399 mm (15.70 in); Width: 221 m...
Editorial Study of a Female Head. Date/Period: 1894. Drawing. Sanguine and charcoal on colored paper. Height: 384 mm (15.11 in); Width: 277 mm (10.90 in).
Editorial Classic week highlights at Christie's, London., King Street, London, UK - 01 Jul 2022
Editorial Sir Edward Burne-Jones (1833-1898). English painter. The Mirror of Venus, 1877. Oil on canvas (120 x 200 cm). Detail. Calouste Gulbenkian Museum. Lisbon. Portugal.
Editorial Sketchbook of Byzantine and Romanesque Decoration, 1887-1894 Studies of throne and robed figure Sir Edward Burne-Jones, 110 sketches of Mediaeval and Byzantine decoration made in connection with studies for the 'Holy Grail' tapestries for Morris & Co.,...
Editorial Male Nude. Sir Edward Burne-Jones; English, 1833-1898. Date: 1885-1898. Dimensions: 220 ? 123 mm. Graphite on ivory wove paper. Origin: England.
Editorial Study for One of the Fates. Sir Edward Burne-Jones; English, 1833-1898. Date: 1865-1869. Dimensions: 402 ? 288 mm. Charcoal on white wove paper. Origin: England.
Editorial Standing Draped Figure in Profile to Left. Sir Edward Burne-Jones; English, 1833-1898. Date: 1878-1901. Dimensions: 345 ? 168 mm. Black and white pastel with touches of graphite, on tan wove paper. Origin: England.
Editorial Pomona (From Flora and Pomona). After a figure design by Sir Edward Burne-Jones (English, 1833-1898) and a background design by John Henry Dearle (English, 1860-1932); Woven by Walter Taylor and John Keich at the Merton Abbey Tapestry Works; England, W...
Editorial Cupid's Hunting Fields. Sir Edward Burne-Jones; English, 1833-1898. Date: 1885. Dimensions: 995 ? 769 mm. Gouache, with watercolor and gold and silver paints on ivory wove paper, laid down on linen canvas. Origin: England.
Editorial Seated Female Figure. Sir Edward Burne-Jones; English, 1833-1898. Date: 1873. Dimensions: 302 ? 253 mm. Graphite on ivory wove paper, laid down on ivory wove card. Origin: England.
Editorial Samuel (Cartoon for Lady Chapel east window). Sir Edward Burne-Jones; English, 1833-1898. Date: 1872. Dimensions: 1,759 ? 616 mm. Charcoal and pen and ink on paper. Origin: England.
Editorial Timothy (Cartoon for Lady Chapel east window). Sir Edward Burne-Jones; English, 1833-1898. Date: 1872. Dimensions: 1,759 ? 616 mm. Charcoal and pen and ink on paper. Origin: England.
Editorial Perseus and Andromeda, study for The Doom Fulfilled. Sir Edward Burne-Jones; English, 1833-1898. Date: 1875. Dimensions: 330 ? 303 mm. Gouache with gold paint on board. Origin: England.
Editorial Pygmalion and the Image - The Soul Attains. Date/Period: 1878. Painting. Oil on canvas. Width: 766 mm. Height: 994 mm.
Editorial Cupid's Hunting Fields. Sir Edward Burne-Jones; English, 1833-1898. Date: 1885. Dimensions: 995 ? 769 mm. Gouache, with watercolor and gold and silver paints on ivory wove paper, laid down on linen canvas. Origin: England.
Editorial Last page of the poem. The Vampire. A poem ... Written for a picture by Philip Burne-Jones exhibited at the New Gallery in London, 1897. [With a reproduction of the picture.]. [Washington : Woodward & Lothrop, 1898]. Source: Cup.402.a.30 last page.
Editorial First page of the poem. The Vampire. A poem ... Written for a picture by Philip Burne-Jones exhibited at the New Gallery in London, 1897. [With a reproduction of the picture.]. [Washington : Woodward & Lothrop, 1898]. Source: Cup.402.a.30 First page of...
Editorial Title page of the poem. The Vampire. A poem ... Written for a picture by Philip Burne-Jones exhibited at the New Gallery in London, 1897. [With a reproduction of the picture.]. [Washington : Woodward & Lothrop, 1898]. Source: Cup.402.a.30 Title page.
Editorial Second page of the poem. The Vampire. A poem ... Written for a picture by Philip Burne-Jones exhibited at the New Gallery in London, 1897. [With a reproduction of the picture.]. [Washington : Woodward & Lothrop, 1898]. Source: Cup.402.a.30 page two.
Editorial A reproduced plate of a painting by Philip Burne-Jones. Note: The quality of the plate in the book is not of good quality. The image shows a woman vampire poised above a sleeping man. The Vampire. A poem ... Written for a picture by Philip Burne-Jones ...
Editorial Design for the Figure of 'Flora', 19th century, British, Graphite on paper, 10 11/16 x 2 11/16 in. (27.2 x 6.9 cm), Drawings, Sir Edward Burne-Jones (British, Birmingham 1833?1898 Fulham).
Editorial ''The Beguiling of Merlin', 1874, Oil on cavnas, 186 x 111 cm. EDWARD BURNE-JONES. MERLIN MAGO. NIMUE.
Editorial King Cophetua and the Beggar Maid - 1884 - 293x135,9 cm - watercolour on paper - Pre-Raphaelite. EDWARD BURNE-JONES.
Editorial English school. The Golden Stairs. Oil on canvas (269 x 117 cm). London, Tate Gallery.
Editorial King Cophetua and the beggar maid. In a poem by Alfred Lord Tennyson, the African King Cophetua disdains women, but in the end falls in love with a beggar maid. Oil on canvas (1884) -293.4 x 135.9 cm.
Editorial The Wizard. Date/Period: 1896/1898. Painting. Oil on canvas. Width: 555 mm. Height: 930 mm.
Editorial Portrait of Georgiana Burne-Jones (1840-1920). Date/Period: 1863. Painting. Bodycolour on paper (formerly supported on paper/linen-covered wooden strainer). Width: 265 mm. Height: 354 mm.
Editorial Design for Stained Glass Window, Saint Peter's Episcopal Church, Albany, NY, Sir Edward Burne-Jones, English, 18331898, Pen and black ink, brush and watercolor, over graphite on wove paper, Window with three panels showing standing figures of Melchised...
Editorial Design for Stained Glass, Southeast Window Nave, Paisley Abbey, Scotland, Sir Edward Burne-Jones, English, 18331898, Pen and ink, brush and watercolor on paper, Window with three panels. At left, figures spinning, and at right, figures weaving (alludin...
Editorial Odin, 1883-84 Sir Edward Burne-Jones (d.1898), Two ravens, Hugin and Munin, on his left shoulder, two wolves Geri and Freki at his feet. 'Asgard' refers to where the gods reside in Norse mythology. Design for Vinland, Newport, Rhode Island, USA, 19th C...
Editorial St Mark the Evangelist, 1883 Designer: Sir Edward Burne-Jones, Applied Arts, Blue, Stained Glass,, Catholic, Church of England, Religion, ChristianPre-Raphaelite, Lion.
Editorial Robert the Bruce,1888 Sir Edward Burne-Jones (d.1898), Art Movement, Pre-Raphaelite, 19th Century, Drawing, Chalk, Scotland, Scroll, crown, Full-length, Royal, King, Works on Paper.