Editorial*EXCLUSIVE* Ellie Goulding is back to her mommy duties as she shares a touching moment with her son during a family outing in Beverly Hills **WEB MUST CALL FOR PRICING**
Editorial*EXCLUSIVE* Ellie Goulding is back to her mommy duties as she shares a touching moment with her son during a family outing in Beverly Hills **WEB MUST CALL FOR PRICING**
EditorialMel Brooks flips through a script for “Springtime for Hitler,” the fictional musical in his 1966 film “The Producers,” at his home in Santa Monica, Calif., on Feb. 23, 2023. (Chantal Anderson/The New York Times)
EditorialMel Brooks flips through a script for “Springtime for Hitler,” the fictional musical in his 1966 film “The Producers,” at his home in Santa Monica, Calif., on Feb. 23, 2023. (Chantal Anderson/The New York Times)
EditorialMel Brooks flips through a script for “Springtime for Hitler,” the fictional musical in his 1966 film “The Producers,” at his home in Santa Monica, Calif., on Feb. 23, 2023. (Chantal Anderson/The New York Times)
EditorialVarious Spring Flowers, from the series "Springtime Plants and Trees for the Kasumi Poetry Circle of the Yomo Group (Yomogawa Kasumi-ren haru no kusaki no uchi)". Kubo Shunman; Japanese, 1757-1820. Date: 1815-1825. Dimensions: 21.1 x 18.6 cm. Color woo...
EditorialVarious Spring Flowers, from the series "Springtime Plants and Trees for the Kasumi Poetry Circle of the Yomo Group (Yomogawa Kasumi-ren haru no kusaki no uchi)". Kubo Shunman; Japanese, 1757-1820. Date: 1815-1825. Dimensions: 21.1 x 18.6 cm. Color woo...
EditorialHappy Springtime. Sir John Everett Millais; English, 1829-1896. Date: 1860. Dimensions: 135 ? 98 mm (image); 245 ? 169 mm (chine); 447 ? 319 mm (sheet). Etching on ivory wove chine laid down on off-white wove paper. Origin: England.
EditorialHappy Springtime. Sir John Everett Millais; English, 1829-1896. Date: 1860. Dimensions: 135 ? 98 mm (image); 245 ? 169 mm (chine); 447 ? 319 mm (sheet). Etching on ivory wove chine laid down on off-white wove paper. Origin: England.
EditorialCherry Blossom Viewing, Ando Hiroshige, Japanese, 17971858, Woodblock print in colored ink on paper, A springtime print shows brilliant cherry blossoms and beautifully dress women enjoying nature. Flocks of ducks are displayed playing in the water as a...
EditorialCherry Blossom Viewing, Ando Hiroshige, Japanese, 17971858, Woodblock print in colored ink on paper, A springtime print shows brilliant cherry blossoms and various people enjoying nature. Some elders sit on a yellow blanket, watching children play, and...
EditorialCherry Blossom Viewing, Ando Hiroshige, Japanese, 17971858, Woodblock print in colored ink on paper, A springtime print shows brilliant cherry blossoms and various people enjoying nature. Some elders sit on a yellow blanket, others taking a stroll. A t...
EditorialPair of Doves, Bamboo, and?Camellia, 14th?century, Hanging scroll, ink and color on silk, without mounting: 30 1/4 ? 16 5/8 in. (76.8 ? 42.2?cm), While birds of all species are generally depicted in pairs in Chinese painting, the snuggling pair of dove...
EditorialJ. J. Grandville, 'Damned Springtime' from The Complete Works of B?ranger, Oeuvres compl?tes de B?ranger, J. J. Grandville (French, Nancy 18031847 Vanves), J. Thompson, Pierre Jean de B?ranger (French, Paris 17801857 Paris), 1836, Wood engraving, Sheet...
EditorialHappy Springtime. Sir John Everett Millais; English, 1829-1896. Date: 1860. Dimensions: 135 ? 98 mm (image); 245 ? 169 mm (chine); 447 ? 319 mm (sheet). Etching on ivory wove chine laid down on off-white wove paper. Origin: England.
EditorialHappy Springtime. Sir John Everett Millais; English, 1829-1896. Date: 1860. Dimensions: 135 ? 98 mm (image); 245 ? 169 mm (chine); 447 ? 319 mm (sheet). Etching on ivory wove chine laid down on off-white wove paper. Origin: England.
EditorialSpringtime, Wilbur Winfield Woodward (American, 1851-1882), date unknown, oil on canvas, 39-1/2 x 33-1/2 in. (canvas) 49-1/2 x 43 x 3-3/4 in. (framed), Signed, u.r.: Wilbur Woodward, American Painting and Sculpture to 1945.
EditorialSpringtime, c. 1878, Auguste Rodin, French, 1840-1917, France, Charcoal, with stumping and traces of black chalk, on blue laid paper (discolored to gray) with pink and blue fibers, 469 ? 317 mm.