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Editorial RUSSIA EXPO. Opening ceremony of RT.Doc: Time of Our Heroes international documentary film festival
Editorial Christopher Durang Dies: Playwright With A Genius For The Absurd Was 75 **FILE PHOTOS**
Editorial Christopher Durang Dies: Playwright With A Genius For The Absurd Was 75 **FILE PHOTOS**
Editorial From left, John Zdrojeski, Jeb Kreager, Zoë Winters and Michele Pawk in Will Arbery’s “Heroes of the Fourth Turning,” at Playwrights Horizons in New York, Sept. 12, 2019. (An Rong Xu/The New York Times)
Editorial From left: Julio Monge, Arturo Luís Soria, Frankie J. Alvarez and Ceci Fernández in “Wet Brain” at Playwrights Horizons in New York on May 18, 2023. (Michelle V. Agins/The New York Times)
Editorial Gregg Mozgala, left, and Kara Young perform a scene in “Cost of Living” at the Samuel J. Friedman Theater in New York, Sept. 15, 2022. (Sara Krulwich/The New York Times)
Editorial Gregg Mozgala, left, and Kara Young perform a scene in “Cost of Living” at the Samuel J. Friedman Theater in New York, Sept. 15, 2022. (Sara Krulwich/The New York Times)
Editorial The playwright Jeremy O. Harris, right, with two of the fellows: Asa Haynes, left, and DJ Hills, who is slightly obscured. (Guido Gazzilli/The New York Times)
Editorial Crystal Dickinson and Jess Barbagallo in “The Trees,” at Playwrights Horizons in New York, Feb. 11, 2023. (Sara Krulwich/The New York Times)
Editorial Arinze Kene, whose one-man show “Misty” mixes spoken word, music, surreal comedy and performance to tell a tale of gentrification, racial tension and male identity, at Weston Studio in London, Feb. 10, 2023. (Tami Aftab/The New York Times)
Editorial Presentation of the comedy 'El Aguafiestas' at the Teatro Reina Victoria
Editorial From left, Francis Guinan, Glenn Davis and K. Todd Freeman, three of the actors in Bruce Norris’s play “Downstate,” onstage at Playwrights Horizons, in New York on Dec. 1 2022. (Clark Hodgin/The New York Times)
Editorial Tim Hopper, left, and Francis Guinan in the New York premiere of Bruce Norris’s 2018 play, “Downstate,” at Playwrights Horizons, Oct. 27, 2022. (Sara Krulwich/The New York Times)
Editorial Lily Santiago in Erica Schmidt’s “Mac Beth,” at the Red Bull Theater in New York, May 5, 2019. (Richard Termine/The New York Times)
Editorial Bill Heck, left, and Liza Colon-Zayas in the Pulitzer Prize-winning play by Quiara Alegría Hudes, "Water by the Spoonful," at the Second Stage Theater in New York, Dec. 10, 2012. (Karli Cadel/The New York Times)
Editorial Larry Owens, center, in “A Strange Loop” at Playwrights Horizons in New York, May 23, 2019. (Sara Krulwich/The New York Times)
Editorial Bust Of Cannankara Velayudhan Raman Pillai, Thiruvananthapuram, India - 12 May 2022
Editorial Daniella Topol at Rattlestick Theater in the West Village in New York on July 28, 2022. (Dana Golan/The New York Times)
Editorial NY Life Life, new York, USA - 08 Aug 2022
Editorial Namir Smallwood, left, and Jon Michael Hill in the play “Pass Over,” at the August Wilson Theater in New York, Aug. 17, 2021. (Sara Krulwich/The New York Times)
Editorial Will Dagger and Jamie Brewer play half-siblings in Will Arbery’s “Corsicana” at Playwrights Horizons in New York, June 1, 2022. (Sara Krulwich/The New York Times)
Editorial Deirdre O?Connell, right, and Jamie Brewer perform in ?Corsicana? at Playwrights Horizons in New York, June 1, 2022. (Sara Krulwich/The New York Times)
Editorial From left, Will Dagger, Deirdre O'Connell and Jamie Brewer in the play "Corsicana" at Playwrights Horizons in New York, June 1, 2022. (Sara Krulwich/The New York Times)
Editorial The actress Marjan Neshat outside the Playwrights Horizons theater in New York, April 18, 2022. (Olivia Galli/The New York Times)
Editorial From left: Marjan Neshat, Nazanin Nour, Roxanna Hope Radja, Artemis Pebdani and Nikki Massoud in the play “Wish You Were Here” at Playwrights Horizons in New York, April 12, 2022. (Sara Krulwich/The New York Times)
Editorial Playwrights' Licensing Relief Act of 2002 Introduced
Editorial *EXCLUSIVE* Vanessa Kai and Jessica Frances Dukes leaving the Ziegfeld Theatre for Playwrights Horizons Gala
Editorial *EXCLUSIVE* Celebrity Guests exit the Playwrights Horizons Gala in NYC
Editorial Rita Wolf on a video screen and seated behind sheer curtains, left, during a performance of ?Out of Time? at the Public Theater in New York, Feb. 13, 2022. (Sara Krulwich/The New York Times)
Editorial Charly Evon Simpson on the set of her new play, “Sandblasted,” at the Vineyard Theater in New York, Feb. 11, 2022. (Lila Barth/The New York Times)
Editorial From left: Tala Ashe, Hadi Tabbal, Marjan Neshat, Ava Lalezarzadeh and Pooya Mohseni in ?English,? by Iranian-American playwright Sanaz Toossi, at the Atlantic Theater Company in New York, Feb. 11, 2022. (Sara Krulwich/The New York Times)
Editorial W. Tr? Davis, left, and Tyler Fauntleroy in a scene from ?Tambo and Bones? at Playwrights Horizons in New York, Jan. 18, 2022. (Sara Krulwich/The New York Times)
Editorial Dario Ladani Sanchez as Taroon and Marjan Neshat as Afiya in the Sylvia Khoury play “Selling Kabul” at Playwrights Horizons in New York, Nov. 16, 2021. (Sara Krulwich/The New York Times)
Editorial Playwrights' Licensing Relief Act of 2002 Introduced
Editorial Stephen Sondheim at Playwrights Horizon in New York, Aug. 15, 1990. (Fred R. Conrad/The New York Times)
Editorial The playwright Ed Bullins, on Sept. 25, 1968, the year he completed “In the Wine Time,” his first full-length play. (Don Hogan Charles/The New York Times)
Editorial MJ Kaufman in a Manhattan storefront, the set for their play “Wild Pride,” about a transgender YouTube influencer, June 10, 2021. (Dina Litovsky/The New York Times)
Editorial Dima Mikhayel Matta, one of three playwrights showcased in the National Queer Theater’s Criminal Queerness Festival, in Brooklyn, June 16, 2021. (Sara Krulwich/The New York Times)
Editorial A room depicting Martyna Majok’s dream in the En Garde Arts production of “A Dozen Dreams,” at Brookfield Place in New York, May 12, 2021. (Sara Krulwich/The New York Times)
Editorial Erminia and the Shepherd, 1619-20 By Giovanni Francesco Barbieri, The scene is taken from Torquato Tasso's epic poem, La Gerusalemme Liberata published in 1575. Erminia, a pagan princess in love with the crusader, Tancred, disguises herself in armour t...
Editorial From left: Alexander Lambie, Ren Dara Santiago and Julissa Contreras, contributors to an audioplay series with episodes set inside the No. 2 train, at the Wakefield 241 Street station in the Bronx, Dec. 18, 2020. (Simbarashe Cha/The New York Times)
Editorial The playwright Jeremy O. Harris, at center, speaks after the final Broadway performance of "Slave play" at the Golden theatre in Manhattan, Jan. 19, 2020. (Jeenah Moon/The New York Times)
Editorial The rehearsal room for “Selling Kabul” at Playwrights Horizons in New York, Sept. 17, 2020. (Chang W. Lee/The New York Times)
Editorial Steve Carter, front, with his fellow Negro Ensemble Company playwrights, from top, Herman Johnson, Al Davis and J.E. Gaines in 1974. (Gene Maggio/The New York Times)
Editorial Tom Pecinka and Juliana Canfield in "He Brought Her Heart Back in a Box,” in New York, Jan. 17, 2018. (Emon Hassan/The New York Times)
Editorial Adam Greenfield, now in his first season as artistic director for Playwrights Horizons, on the set of “Heroes of the Fourth Turning” in Manhattan, Oct. 11, 2019. (Ricky Rhodes/The New York Times)
Editorial Larry Owens, center, in “A Strange Loop” at Playwrights Horizons in New York, May 23, 2019. (Sara Krulwich/The New York Times)
Editorial Roslyn Ruff and fellow actors play a scene from Claudia Rankine’s “Help” at the Shed, in New York, March 8, 2020. (Rachel Papo/The New York Times)
Editorial A scene from "Mr. Burns, a Post-Electric Play" at Playwrights Horizons in New York, Aug. 22, 2013. (Sara Krulwich/The New York Times)
Editorial Julia Miles in 2001, two years before she stepped down as Women’s Project’s artistic director, in New York. (Chester Higgins Jr./The New York Times)
Editorial Elaine Stritch, center, as Madame Armfeldt in the revival of "A Little Night Music" in New York, July 14, 2010. (Sara Krulwich/The New York Times)
Editorial Perry Sherman in the musical "Unknown Soldier" at Playwrights Horizons in Manhattan, Feb. 13, 2020. (Sara Krulwich/The New York Times)
Editorial Lucy Prebble in London, Sept. 2, 2019. (Suzie Howell/The New York Times)
Editorial Serafin and Joaquin Alvarez Quintero (Searfi_n, 1871-1938; Joaqui_n, 1873-1944). Spanish playwrights. Drawing where they represent reading Benito Perez Galdos, his adaptation of "Marianela".
Editorial Allegorical vignette with beehive, Bijenkorf surrounded by three people and flanked by two muses. In the foreground are books by playwrights Vondel, Langendyk and Focquenbroch and there are magazines with titles of various plays. Above the show is the ...
Editorial The director, producer and acting teacher Jack Garfein while teaching at the Actors Studio in New York on March 15, 2011. (Robert Caplin/The New York Times)
Editorial Randy Danson, left, and Emily Cass McDonnell in “The Thin Place” at Playwrights Horizons in Manhattan on Nov. 21, 2019. (Richard Termine/The New York Times)
Editorial Bronze cista (toiletries box).
Editorial Serafin and Joaquin Alvarez Quintero (Searfi_n, 1871-1938; Joaqui_n, 1873-1944). Spanish playwrights. Drawing where they represent reading Benito Perez Galdos, his adaptation of "Marianela".
Editorial Remembering Playwright Neil Simon, New York USA
Editorial Terracotta statuette of a standing woman.
Editorial Bronze cista (toiletries box).
Editorial The playwright Alexander Ostrovsky between members of the Russian Playwrights Association.
Editorial Serafin and Joaquin Alvarez Quintero (Searfi_n, 1871-1938; Joaqui_n, 1873-1944). Spanish playwrights. Drawing where they represent reading Benito Perez Galdos, his adaptation of "Marianela".