EditorialThe co-curators of the “Black Orpheus: Jacob Lawrence and the Mbari Club” exhibition, Ndubuisi Ezeluomba and Kimberli Gant, at the Chrysler Museum of Art in Norfolk, Va., Sept. 20, 2022. (Andar Sawyers/The New York Times)
EditorialThe co-curators of the “Black Orpheus: Jacob Lawrence and the Mbari Club” exhibition, Ndubuisi Ezeluomba and Kimberli Gant, at the Chrysler Museum of Art in Norfolk, Va., Sept. 20, 2022. (Andar Sawyers/The New York Times)
EditorialThe co-curators of the “Black Orpheus: Jacob Lawrence and the Mbari Club” exhibition, Ndubuisi Ezeluomba and Kimberli Gant, at the Chrysler Museum of Art in Norfolk, Va., Sept. 20, 2022. (Andar Sawyers/The New York Times)
EditorialThe co-curators of the “Black Orpheus: Jacob Lawrence and the Mbari Club” exhibition, Ndubuisi Ezeluomba and Kimberli Gant, at the Chrysler Museum of Art in Norfolk, Va., Sept. 20, 2022. (Andar Sawyers/The New York Times)
EditorialPatrick Gant, the owner of the marketing consultancy Think It Creative in Ottawa, Ontario, Friday, June 10, 2022. (Jessica Deeks/The New York Times)
EditorialPatrick Gant, the owner of the marketing consultancy Think It Creative in Ottawa, Ontario, Friday, June 10, 2022. (Jessica Deeks/The New York Times)
EditorialFrench soprano Madame Augustine Albert as Amelie in Le Gant et l'Eventail by Bayard and Sauvage, Theatre du Vaudeville, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des The...
EditorialBelgian actress Eugenie Doche as Mathilde in Le Gant et l'Eventail by Bayard and Sauvage, Vaudeville, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Pa...
EditorialJoshua Gant, a student at Prairie View A&M University who benefitted from a large donation to the school by MacKenzie Scott — a grant for tuition that will make it possible for him to finish his undergraduate degree — on the campus in Prairie View, Texas, Oct. 13th 2021. (Rahim Fortune/The New York Times)