EditorialAn undated photo provided by Tiona Nekkia McClodden shows a film still portrait of Mikki Shepard, left, by McClodden, right, from “The Trace of an Implied Presence,” 2021, a multichannel HD color video currently showing at the Shed. (Tiona Nekkia McClodden via The New York Times)
EditorialJohn Bull, baited by the dogs of excise, en sanguine engraving 1790, British satire on efforts by William Pitt, George Rose, and some members of Parliament to impose new Excise duties on tobacco (cf. Tobacco Excise Bill). The additional tax burden on B...
EditorialJohn Bull, baited by the dogs of excise, en sanguine engraving 1790, British satire on efforts by William Pitt, George Rose, and some members of Parliament to impose new Excise duties on tobacco (cf. Tobacco Excise Bill). The additional tax burden on B...
EditorialJohn Adams Jackson, Musidora, ca. 1873, white marble, 43 in. x 12 1/8 in. x 13 3/4 in. (109.22 cm x 30.8 cm x 34.93 cm), The source for John Adams Jackson's Musidora was a character in a 1727 poem by the British author James Thomson (17001748). In 'Sum...
EditorialEmployees with The New York Times embrace during their last day of work at the company’s Beijing bureau, March 24, 2020. (Gilles Sabrie/The New York Times)
EditorialStudy of a Figure in a Niche (Saint Ambrose; recto); Architectural Studies: Four Alternative Designs for Fictive Niches and an Unrelated Design with Garlands (verso), ca. 1560-67.
EditorialStudy of a Figure in a Niche (Saint Ambrose; recto); Architectural Studies: Four Alternative Designs for Fictive Niches and an Unrelated Design with Garlands (verso), ca. 1560-67.
EditorialStudy of a Figure in a Niche (Saint Ambrose; recto); Architectural Studies: Four Alternative Designs for Fictive Niches and an Unrelated Design with Garlands (verso), ca. 1560-67.