EditorialIn 1497 Signorelli began painting the Vita of Saint Benedict da Nurcia as told by Saint Gegory. The work, 36 scenes in all, was completed 1505-1508 by Sodoma. Benedict frees a peasant, shackled by the Goths. Detail: a pageboy.
EditorialTip of a sceptre (mvala) of a high personage. The chief is seated in ritual nudity, chewing a medicinal root. Below, a shackled prisoner. Congolese. Ivory, H: 22,7 cm Musee du quai Branly, Inv.70.1998.10.1.
EditorialThomas Spota, the former Suffolk County district attorney, center, arrives at a Long Island courthouse in Central Islip, N.Y., for his sentencing on Tuesday, Aug. 10, 2021. (Uli Seit/The New York Times)
EditorialMichele Benedetti, Roman Charity, with Pero, holding a small child, offering her right breast to the shackled Cimon, After Carlo Cignani (Italian, Bologna 16281719 Forl?), 1792, Stipple etching, Sheet (Trimmed): 15 1/2 ? 17 1/8 in. (39.4 ? 43.5 cm), Pr...
EditorialJacob Blake Sr., father of Jacob Blake, a Black man shot by a police officer in Kenosha, Wis., speaks during the March on Washington in Washington, Aug. 28, 2020. (Michael A. McCoy/The New York Times)
EditorialEmpacaceiros of the Kingdom of Banguela, Angola, 19th century. Male and female members of a secret society of Bantu lead shackled slaves to the fortress of Caconda. Handcoloured copperplate engraving by A.D. after Jean-Baptiste Douville from Giulio Fer...
EditorialCalifornia couple plead guilty to 14 counts of torture and abuse after their 13 children were found emaciated and chained to beds in their home
Editorial'Poor John Bull - the free-born Englishman - deprived of his senses by the six new acts'. A man shackled, with his fingers in a press. A satirical drawing. The Free-born Englishman deprived of his seven senses by the operation of the six new Acts of th...
EditorialIn 1497 Signorelli began painting the Vita of Saint Benedict da Nurcia as told by Saint Gegory. The work, 36 scenes in all, was completed 1505-1508 by Sodoma. Benedict frees a peasant, shackled by the Goths.
EditorialMinerva's victory over Ignorance. Goddess Minerva, in gold helmet and seductive armour, puts her foot on the neck of a shackled, donkey-eared Ignorance. She is surrounded by muses and allegorical figures. Oil on canvas, 153 x 117 cm Inv.1133.
EditorialTip of a sceptre (mvala) of a high personage. The chief is seated in ritual nudity, chewing a medicinal root. Below, a shackled prisoner. Congolese. Ivory, H: 22,7 cm Musee du quai Branly, Inv.70.1998.10.1.
EditorialCeremonial cartouche shield, around 1560. Studded frame, corners ending in faun-and satyr heads. Five inlaid medallions with scenes of war and victory, surrounded by shackled prisoners. Steel, H: 69 cm Inv. A 562.
EditorialShackled to His Treasure ('Preso ? su tesoro'), 1807?45, Pen and dark brown ink with brush and brown-gray wash. Composition outlined with pen and dark brown ink on all sides. On off-white paper, 7-5/16 x 5-3/16 in. (18.6 x 13.2 cm), Drawings, Leonardo ...
EditorialIn 1497 Signorelli began painting the Vita of Saint Benedict da Nurcia as told by Saint Gegory. The work, 36 scenes in all, was completed 1505-1508 by Sodoma. Benedict frees a peasant, shackled by the Goths.
EditorialMinerva's victory over Ignorance. Goddess Minerva, in gold helmet and seductive armour, puts her foot on the neck of a shackled, donkey-eared Ignorance. She is surrounded by muses and allegorical figures. Oil on canvas, 153 x 117 cm Inv.1133.
EditorialTip of a sceptre (mvala) of a high personage. The chief is seated in ritual nudity, chewing a medicinal root. Below, a shackled prisoner. Congolese. Ivory, H: 22,7 cm Musee du quai Branly, Inv.70.1998.10.1.
EditorialCeremonial cartouche shield, around 1560. Studded frame, corners ending in faun-and satyr heads. Five inlaid medallions with scenes of war and victory, surrounded by shackled prisoners. Steel, H: 69 cm Inv. A 562.